Several lines, specifically “Why I’m switching faster than the channels on TV, I’m black then I’m white” directly reference the metaphor. Overall, the song uses the simple but effective TV-head image well.
#Vocaloid vsq ryan kun tv#
which adds a little more modern day textspeak to the aged TV setup. They also like to incorproate some emotes and shorthands like the “:-)” face, “idk”, “tho”, etc. You can hear the prominent Asian accent, but otherwise most of the words are distinguishable and flow fine in English, which is helped by the fact that they and rhyme.
The lyrics read well and sound relatively smooth. What I’m guessing is that the multiple hands express the “ Echo in the mirror” idea that the song derives its title from. The girl is also curiously attired in a sailor suit with a spider-like amount of arms extending out, all of the tops of the hands in shadow. The lyrics flicker through the TV screen head and the colors remain the grayscale of an antenna TV signal. In the normal convention of Vocaloid songs from both producers, the song is uploaded with a single image. producers stick together, and they’re both relatively young and draw their own art. You can hear his signature electronic beat and what I call “creepy voice from the beyond” style tuning to great effect in Echo. What’s most surprising is that the song was a collaboration between the English artist, and relatively unknown Crusher-P with Circus-P, famous producer of Circus Monster who is also unexpectedly an American producer. Once you nail down the flow and stresses of certain words in the English language, not to mention the grammar which can be excusable at points since Vocaloid songs don’t make a lot of sense at the best of times, you can start to appreciate the song for its other qualities. What makes Echo sound so much more natural is that it was written by someone fluent in English, a realistic necessity. Echo, however, makes it to one of the few English Vocaloid songs I have no problem listening to on repeat. GUMI’s English V3 voicebank did have the popular Cyber Thunder Cider release, but the vocals were too fast and the pronunciation near indistinguishable. Curiosity got the better of me when I noticed that my favorite, GUMI, had a song that ranked Niconico Best #1 for a few days. crowd with Sharing the World on David Letterman, I was pretty much through with them entirely. After Hatsune Miku’s English voicebank tried to appeal to the U.S.
Usually, the majority of them are either covers of existing English songs or not produced in anywhere near as good quality as Japanese Vocaloid songs. As a rule, I don’t click on any English Vocaloid songs with high expectations.
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